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so that even if if only as long as
something anyone else nobody else someone
emphasis that each places on the emotional impact of the finished product. degree of technical knowledge that each requires of the photographer. way in which each defines the role of the photographer. extent of the power that each requires of the photographer’s equipment.
the relationship between photographic originality and technology. how the content of photographs has changed from the nineteenth century to the twentieth. the popularity of high-speed photography in the twentieth century. how a controlled ambivalence toward photography’s means can produce outstanding pictures.
to have her photograph take to have her photograph taking to have her photograph taken to have taken her photograph
Right Wrong Not mentioned
greet strangers of different cultures. have family connection in common. get on well with people in bad weather. break the ice in communication.
The author speaks favorably of a telephone. The author appreciates the invention. The author thinks the telephone is a nuisance. The author likes to follow the fashion.
capable accessible reliable acceptable
shuts up ends up runs out turns out
describing how photographers’ individual temperaments are reflected in their work. establishing new technical standards for contemporary photography. analyzing the influence of photographic ideals on picture-taking. explaining how the technical limitations affect photographers’ work.
the; an 不填; the the; the 不填; an
Author-corporate Author-first Author-last Author-full
emphasis that each places on the emotional impact of the finished product. degree of technical knowledge that each requires of the photographer. way in which each defines the role of the photographer. extent of the power that each requires of the photographer’s equipment.
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